07 May 2008

back soon



taking a little break. need to work some things out. could be back in five minutes. or five weeks. I don't know. probably next week. I don't know.

soon: more strangers, more photobooth friday, another week of color. maybe a little instant summer.

I don't know.

03 May 2008

blue friday











ah, blue friday. but on a saturday because that's how I roll these days. not that I'm particularly proud of it or anything. as for the extended version of color week, not completely sure yet. maybe next week, maybe more like a month from now, I don't know. stay tuned, friends. and thank you, leya-- you were a most excellent color week host.

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02 May 2008

pink/red thursday












super fresh tote by the fantastic miss jenny



I'm behind, I know. later on today: blue friday. and hopefully even photobooth friday.

(more over at leya's house of color)

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30 April 2008

orange wednesday













I am such an orange-y kind of girl. but with pink and red thrown in. well, and some turquoise. okay, and some yellow.

leya's color week continues on. pink and red tomorrow. am thinking I would like every week to be color week.

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29 April 2008

yellow tuesday









hello yellow. for leya's color week.

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green monday



leya, you read my mind. I've been thinking of doing this for weeks.



hello, color week! I'm so glad to see you.



I've got some catching up to do. if you want to play along, it's not too late. it's never too late:

monday: green
tuesday: yellow
wednesday: orange
thursday: pink/red
friday: blue

check with miss curious bird for links and such. also, am thinking of continuing on with this into next week. anyone interested? what say you?

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25 April 2008

hey, another list



liking, probably even loving:

week of the polaroid. which forced me to stop hoarding my humble stash of polaroid film and shoot it already, ultimately resulting in happy, happy times. so wrong not to pimp it here: save polaroid.

all the folks who left kind, encouraging and helpful words regarding me and this business of photographing strangers. thank you so much.

lovely victoria over at sfgirlbybay who featured me this past wednesday. you can read the interview here. like a good meme but more official. because that's how victoria rolls. I am so loving her.

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22 April 2008

number 28



"hi. I was wondering, would you mind if I took your picture?"

"what?"

"um, I'm sort of doing this thing, taking photographs of strangers and I thought maybe I could take your picture?"

"yeah okay. sure."

he starts to roll the sleeve of his shirt down over the tattoo covering his left forearm.

"you want me to cover this thing up?"

"well, I think it's beautiful... so, no. not if you don't want to."

then he sort of smiles. he puts down his cigarette, shifts in his seat, readjusts his posture. he sits up all tall and straight-like and starts in with a stiff little smile. he's frozen-- like he's in first grade all over again, posing for the school photographer. which I find ridiculously cute. though not exactly what I want, so I keep shooting until he relaxes. I'm very nervous about the whole thing. I'm fumbling with the camera, setting it all wrong. I am completely flustered. I'm trying to play it cool. very unsuccessfully.

"so you're trying to get over your fear of strangers?"

"my fear of taking photographs of strangers, actually."

"just so you know, guys will never care if you take their picture. but girls will. because they care more about the way they look."

"hmm. you're probably right about that. thanks."

so then he gets all excited about this thing I'm doing and gestures towards the coffee house where he works. he tells me about all the guys in the shop who'd love to have their picture taken. girls too, he says, but I'm running late. I thank him and say goodbye.



as I walk to the car, I know this will be my next project. I knew it the moment I saw him sitting there, the moment I ran to the car to grab my camera, the moment I opened my mouth to ask his permission, the moment he relaxed in front of the camera and started to forget I was there. as I drive away, I am somewhere between terrified and exhilarated. because taking photographs of strangers scares me. a lot. this is how I know I'm headed in the right direction. out of all the possible projects I listed, this one made me the most uncomfortable. since I'm looking to be stretched in new, spectacular ways, I'm thinking yes. I'm headed in the right direction. I'm feeling all lit up inside. I'm closing my eyes, I'm jumping in.

thank you to everyone who initially offered their two cents worth, thank you kindly. and now I have more questions for you: how would you feel if a stranger approached you on the street and wanted to take your photograph? would you allow it? would you feel weird if they asked your name? how would you like to be approached, how would you like to be asked? please do tell, because I'm in this for real. currently finding great inspiration over at 100 strangers and the thought project. like I said, I'm in this for real. number 28 off the list, done. er, just beginning. 52 weeks of strangers and I've never been more nervous than I am right now.

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18 April 2008

photobooth friday



hannah plus saturday morning plus the photobooth at the ace plus a wallet crammed full of dollar bills= good times. best part of this whole blogging gig has to do with the people you meet along the way. strange but true. so true. can I get a witness? also strange: I got the crazy eyes here.



oh, that hannah.



she is a girl after my own booth-loving, camera-crazy heart.

her strip is here. checkit, we're very smiley. except for that last frame which is very fool-like (a somewhat intentional nod to april's theme). also, this is only part one of saturday morning/with hannah/down at the ace. other people are involved. and they are cute. I promise.

more photobooth friday fools here.

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17 April 2008

number 5



not writing so much lately. but only because I've been busy crossing things off the list. I'm telling you, my head is really in the game. inspiration wires, you are finally hung. look at you, making the dark recesses of the basement shine like a room filled with late afternoon sunlight. late afternoon sun is best. hello, number five. hello, inspiration. hello, happy. maybe I can finally get some work done now.

some of what hangs on the wires:

pages from really old interview magazines

colors that rhyme: ava's drawings of bubbles and rainbows

atlanta graffiti

trisha brown as seen through the eyes of robert rauschenberg on the pages of (the sadly now defunct) dance ink magazine

original collage by friend ryan coleman, artist and graffiti writer extraordinaire

little bit of cy twombly

little bit of margaret kilgallen

dear mati rose's elephant

old placemat from the thrift store


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14 April 2008

hello monday



pixie sticks for your monday. which you might consider, if you need a lift.

09 April 2008

number 13


in the lobby/gallery before my first class

my mind is currently a mess of aperture/shutter speed/ambient light/exposure compensation/depth of field/ISO and probably a hundred other terms. it's a little like learning a foreign language. or math. which I am no good at. I have never been good at math. intellectually, it makes sense to me-- reading through the terms and techniques, I nod my head and think yes okay. yes. I get that. but when asked to explain it, or *ahem* put it into practice, I respond the same way I did in 9th grade algebra-- clumsily and without confidence. and about two minutes later than everyone else.

I am taking my first photography class.

as slow as I have been to understand it, I have not been without the occasional epiphany. and really, I'm making it sound worst than it is. truth is, I'm really getting it. slowly, I'm getting it. I set my camera on manual for the first time and shot something I liked. which is huge for me. so yes. that's something. and it's number 13 on the list, so that's something too.

07 April 2008

it's the second day of happiness



which is what ava said to me last week when we had two days of sunshine in a row. something like a tiny sliver of sugar-covered yellow dangled in front of us, good enough to eat. nothing but rain and cold now. rain and cold, rain and cold. I am so desperate for summer that I would almost be okay to skip right over spring.

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04 April 2008

photobooth friday



shopping malls and silver chandelier earrings and new boyfriends who wear enormous glasses. the early 90s feels like a hundred years ago. yup. me and ward as boyfriend and girlfriend, 1991. a hundred years ago. or something like that.

april is all about fools so this month I am calling all fools to get into the booth and you know, act like fools. fairly straightforward. though it could be interpreted in a million different ways and this is what I'm banking on. this is why photobooths and fridays are so good together.

to summarize, april's photobooth friday theme: fools.

but the biggest fools are here. those boys and their photobooths. constantly exploring. also, bound to be some fools here. the best kind of fools, my kind of fools, these are my people.

but really I just want to see how many times I can say the word fools.

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03 April 2008

what is the what



next photography project: 52 weeks of... something. 52 weeks of what?

color?
pattern?
people?
self?
strangers?
the brightest thing?
park slides?
found type?
through the viewfinder?
film?
street art?

how about mustaches? fruit? feet? people who wear plaid scarves? um, the possibilities are endless. would appreciate any and all input. ripe and ready to begin. just need to make a decision already. I am a girl who is occasionally prone to wishy-washiness.

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01 April 2008

mental note



I get so much more done when I have my shoes on. I mean, when I'm at home. if I put my shoes on, then I am clearly not fooling around. if I leave my shoes on during the day, I am like a machine. I'm ridiculously efficient. does anyone else find this to be true? anyone?

this is unfortunate since bare feet pretty much rock the casbah.

28 March 2008

photobooth friday

photobooth friday
(from the new york strips, november 2006)

ah, such big plans for the photobooth this month. plans for headstands in the booth (a la matt) and complicated, contorted body poses plus maybe holding ezra upside down. which he would have totally been game for (no extra coercing necessary). 'twas not to be, my friends. just didn't make it down to the booth. hey, but some people did:



some are from this month's challenge, others are long-time favorites who initially inspired the faceless theme. really I just love seeing those displaced limbs all over the place.

1. photobooth friday, 2. photobooth friday, 3. Untitled, 4. Untitled, 5. PBF Assignment #2-FACELESS, 6. faceless experiment nº2: cara de huevo, 7. Untitled, 8. soon, 9. Photobooth Friday, 10. faceless experiment nº1 (tango shoes): failed, 11. photobooth friday, 12. Untitled, 13. Untitled, 14. Untitled, 15. photobooth friday: BALLOONS!, 16. Untitled

particularly loving wendy's belly. and from the marvelous scrumdillydilly: maryjanes, balloons and pink slinkies. a splendid little hip tattoo from acumamakiki. so much more here. stay tuned for the new challenge. april is for fools. I'm just sayin.

happy friday, world.

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27 March 2008

because



it's thursday and thursdays really mean something around here. so it's time for the junk mail collage from moleskine #2. also, it's time for an update. the frigid, rainy state of affairs here is not cramping our style. well, maybe just a little. while on fake vacation this week, we've seen:

a chemistry lab
a rainbow (for reals)
an elvis impersonator
a barn owl named julio

we've seen and done more than that but I'm all about the highlights today.

25 March 2008

limitless



spring break for ava so we're pretending we're on vacation. absolutely thrilled to have a break from the daily grind. wishing we could just get in the car and drive somewhere, anywhere. trying to see something new in portland everyday this week. updates to come.

am loving the braille graffiti project. a thousand times over, I am loving it.

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20 March 2008

big fat sack of yes


(somewhere in idaho)

this time last year, we were on the road. we were wondering if we were going to make it. this time last year, we were contemplating what our new life might be like out in the great pacific northwest. this time last year, our lives were sort of up in the air.

on our way out of atlanta, I decided to keep a different kind of journal-- one to hold the small, more forgettable details of our days on the road, one that would give gas station food and fluctuating grouchiness as much attention as the majestic nature of the mountains we'd no doubt soon all be oohing and aahing over. something about this decision liberated me. I didn't feel pressure to document every profound moment. instead, I wrote about spicy guacamole pringles, strange roadside signs and the music we listened to. I wrote about the way some hotels smelled like chlorine (and how much I loved that) and the advantages and disadvantages of sleeping fully clothed. because I'd given myself permission to write whatever and whenever I wanted (or not), I suddenly wanted to write all the time. and that's what I did. if I wasn't messing with the camera, I was writing stuff down. one year later and I've had more fun reading these entries than I could have ever predicted. which inspired list-making, of course. almost everything in my life seems to lead to list-making.


(gas station in tennessee)


(somewhere in utah)

not missing:

gas stations that smell like burnt coffee

sleeping through the night fully clothed (denim skirts especially not recommended)

thinking you're going to see the world's largest prairie dog when, in fact, you are not

pimply, distracted teenage restaurant workers who pretend they are listening while they are taking your order

children who want bacon and ranch-flavored pringles for breakfast

entire towns that smell like dog food

toys that wedge themselves into the tight spaces between seats inside cars and cannot be retrieved, no matter how ingenious the retrieving contraption is

gas station bathrooms that destroy all faith in humanity

missed opportunities, i.e. deliciously odd roadside attractions that look like old wooden dutch mills and boast views of six states

crusty old men who give your son a penny and then tell him to go 'buy himself a beer'

sharing tiny hotel swimming pools with the splash-happy twins

incorrect apostrophe usage on roadside billboards-- most notably, the porn shop in the middle of nowhere called PASSION'S

bad songs that get stuck in your head and won't go away because, you know, it's hard out here for a pimp

book lights that do not illuminate the desired reading area AT ALL

hotels that look nice in the picture but then feel inexplicably creepy once you check in

waking up in a dark hotel room at three in the morning to the sounds of high-pitched screaming and the shattering of glass, wondering what to do first-- call the police or pack up and flee

toy gumball machines that absolutely do not deliver anything even remotely close to the goods

meltdowns in laramie, wyoming



(on the road in kansas)


(ava in the great state of oregon)


totally missing:

so many freshly opened boxes of crayons

enormous bundles of balloons that break free and escape from car dealerships

kitschy gift shops that cause you to lose all reason and purchase totally unnecessary souvenir items

listening to sufjan's come on feel the illinoise while driving through my home state of illinois

finding four leaf clovers at the base of the st. louis arch

friends that lovingly make you home-cooked meals and let you crash at their house for the night

the permission to: eat mcdonald's hotcakes every morning, buy as many trashy gossip magazines as necessary

wide open turquoise-colored skies

walmart greeters that wear hats made of feathers

made-up stories about freddy and fern and the bicycle that goes nowhere

traveling along the original route 66

the sharing of pink frosted cupcakes with one 96 year-old birthday girl

bare feet propped comfortably (and permanently) up on the dashboard

traveling on roads that feel as if they were dropped from the sky into the narrow crevices of magnificent mountains

the tails of stale marshmallow peeps

jared's good morning (and good night) mixes

outstretched arms, windswept hair

views so scenic you have no choice but to put down your book and stare out the window (DARN YOU, UTAH)

extra-fine black pilot pens

late night dips in illuminated indoor swimming pools

ripping into mystery care packages put together by family and friends

freshly filled buckets of hotel ice

things worth excitedly pointing out: shoes hung like christmas ornaments on trees, one very slow moving tumbleweed, the world's largest pair of underwear, spectacular snow-capped mountains, entire lengths of trains, wind farms, moss (like supernatural chartreuse carpet) covering absolutely everything in sight, fantastic waterfalls

waking up in a dark hotel room at three in the morning to hear the sounds of family sleeping soundly, deeply

the crossing of each and every state line

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18 March 2008

wheeeeeeeeee

13 March 2008

the great escape



there must have been a hundred worms out on the sidewalk this morning, all of them inching along the slick wet concrete, all of them as bewildered by their predicament as we were. on the way into preschool, ezra and I had to stop and look at every single one. normally, I'd be pulling him along impatiently. no time for looking, for anything but getting on with the business of the day. this morning, I didn't pull. instead, I watched as he crouched down low to inspect each worm. he prodded them gently with soggy twigs and whispered commentary to no one in particular, as if he were speaking into a small tape recorder, making notes for future worm-hunting expeditions. I watched as he lost himself there in that world-- no one but him and those grey, undulating worms in the cold morning air.

several months ago, he found a spiderman costume in a box labeled 'free, take me'. he cried out triumphiantly and lifted a tired blue nylon suit high into the air. it was all I could do to keep him from stripping down right then and there. we were promptly informed by our neighbor that the costume had been worn (relentlessly) by both of her sons. as ezra continued to wave his doughy little fist in the air, I wondered if the suit had the strength to survive even one more boy. six months later and the answer to that is an enthusiastic yes. the minute ezra slips that costume on, he is absolutely transformed. doesn't matter that there are runs (that lead to bigger runs that lead to gaping holes) up the back of the leg, that the suit hangs loose and crooked on his small frame. it ties and gaps in the back like a hospital gown, which I find ridiculously charming. no, none of this really matters when ezra locks into character. he lunges and snarls, shoots imaginary webs from his fingers and performs a combination of spins and rolls and kicks until he is wild-eyed and completely lost. lately, these performances have taken on alarming new levels of intensity. I am convinced we have a young method actor in the making. I think of all the grown method actors as three year-olds, tirelessly channeling the likes of superheroes until exasperated parents demand they stop it already and eat their oatmeal.

a couple of weeks ago, just before bed one night, ezra got so wrapped up in his spiderman act that I swear to you, we had to clap to snap him out of it. ezra! we yelled. come back to us, buddy! no more spiderman! time for bed! he was fully submerged, deep in spidey-world and we had to clap a couple more times to bring him back. the following day, I called my mom and told her about it. crazy, I said. the way he was just so into it. well, this is what kids do, she said and she told me how she used to run an orphanage for dolls when she was little, how the hours seemed to fly by as she cared for each parentless doll. (interesting that she eventually pursued a degree in social work). she also told me how she often pretended to be a famous artist and while she's not exactly famous, she's an artist in every sense of the word.

for me, it was always about imaginary travels. I'd pack up my little canvas suitcases and go on 'trips', which usually meant a walk down to the end of the driveway near a small ditch. if it was filled with water, I could pretend I was vacationing on the banks of an exotic river. I would unpack my bags, set up camp and create imaginary itineraries which usually included elaborate picnics and searches for fool's gold. I completely lost myself in the world of make-believe travel. which might explain why I am happiest when traveling (or planning trips), why I am always dreaming of road trips, weekend getaways, travels to new cities and foreign countries. this might explain why my house is filled with old globes and pull-down school maps, why I occasionally wonder if I should've been a travel writer.

I'm not exactly sure what this means for ezra (or ava, for that matter), or if it even means anything at all, but I am taking careful notes. if ezra turns out to be an actor, I'll have plenty of interesting little stories to share with him. see? you were method acting before you could even read, I'll say to him. maybe he'll remember, maybe he won't. most likely, he'll end up taking a completely different direction in life. thousands upon thousands of possibilities which is what makes childhood so grand, what makes it so magic.

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11 March 2008

number 8



number eight on the list to be offically checked off, thanks in part to date night with the mister back in january. so good I had to drag two sweet friends to the place for more happy.

one down, thirty-six to go.

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08 March 2008

photobooth friday



(on a saturday afternoon)

this month's photobooth friday challenge is faceless. ava and I went for the more obvious choice: hands.

couple more faceless frames to check out:
jesC
doctora boop

of course, the rest of the usual suspects can be found here.

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05 March 2008

wednesdays are for dancing



on wednesday afternoons, I teach creative movement. which is something like joyful (and somewhat controlled) chaos for about 45 minutes. what we are is a soulful mess of wiggling, shaking, spinning and leaping with some floating and melting thrown in just to balance things out. plus, a whole bunch of other things that may or may not involve hula hoops, bags of bright-colored feathers and fat rolls of bubble wrap. we also make peanut butter and jelly sandwiches with our feet and swivel our hips to mimic the agitation of nine miniature washing machines. it's all very serious, I promise.

and while I'm on the subject of dance, two things:

1. I am head over heels in love with danceminute-- a blog that posts one-minute videos of dance as seen through the eyes of a new york dancer/choreographer/film editor. it's absolutely brilliant for a million different reasons but mainly because it points the camera at all kinds of dance and breaks it down into bite-sized pieces. if you visit the site and scroll down, you will be able to view everything from rhythmic hand gestures (performed beautifully by a southern iranian in a swiftly moving car) to a late night informal dance showing in soho to a work-in-progress (big love for the swinging light bulb) to the soul tigers marching band breaking it down for the masses in union square. for me, this is beyond good. THIS IS THE BEST THING EVER. honestly, I'm sort of wishing I'd thought of it first but that doesn't really matter. what matters is that someone thought of it, someone is doing it and now it's out there for the world to see.

2. I'm incredibly disappointed to have missed stephen petronio last night. the only consolation is the promise of a couple performances just around the bend-- urban bush women with compagnie jant-bi and the brenda angiel aerial dance company. portland peoples, these are two modern dance performances not to be missed. I promise you, they will not disappoint. unless you are dead inside. in which case, you may leave these performances feeling mildly let down. but then, you're dead inside and I'm sorry but I can't really help you. let's face it, you've got bigger problems. anyway, I first saw the urban bush women back in 1992 (multiple times since then) and remember vividly how absolutely electric they were on stage, how seamlessly they layered text with an athletic style of movement that can only be described as otherworldly. still reeling from the impact, y'all. still sorting out the influence they've had on me and my deep dancer self. I should write more about them, I really should.

so save your green, pdx friends because these two performances are back to back: one night only for the urban bush women (april 2nd) and three nights for brenda angiel (april 3-5).

wow, when it rains, it pours. april showers, yo.

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03 March 2008

mondays are for color (and other things)



like tomato soup (with toast on the side) and unexpected pre-breakfast trips to the thrift store. mondays are also good for sorting things out.

my mind was wild with ideas last night. they were coming at me all at once, like a thousand super bouncy balls set loose. I spent the better part of an hour scooting from room to room, hashing things out in a scattered fashion. ten minutes in this room to see what this pattern looked like with that color and then fifteen minutes downstairs in my studio to shift things around and hang this letter here and that photograph there and then five minutes looking at papers for a collage, sketching ideas for a piece and then ten minutes on the computer looking at this and that, ten minutes to write. oh and then ten minutes with the camera and another ten minutes playing musical lampshades (which is when you trade this lampshade for that one until every lamp in the house is wearing a different hat).

when I am creatively overstimulated like this, I usually try to see it through to the end. I try hard to collect all that is rolling through my mind and get it down onto whatever paper is available. then I make a beeline for the green couch, the one that pulls me deep into the delicious land of reclining. there's a crevice in the couch that makes it impossible for me to do anything other than curl up and stare at cable television. I give myself permission to check out, shut down, close shop for the night because seriously, my head just can't take it.

so today I am sorting things out. how about you?

more color on this day we call monday:









because sometimes what you need is a shot of color.

29 February 2008

open and listening



five words that describe my life right now over at music mamas.

speaking of words, here are some I am favoring lately:

dense
prosaic
languid
libertine
luminous

more so because I love the way they look, the way they sound. not because they describe my current state of being.

p.s. photobooth friday is coming.

27 February 2008

self portrait #47



we are currently experiencing day after day of sunshine here in portland-- the mildest weather, the kind that makes you hopeful for spring. little purple flowers are popping up all over the place. they say hello, look at me. I am to be looked at and admired. I am a hint of what's to come. it's strange, all this sunshine. I'm not complaining. I'm just saying. it's strange. just when I thought I couldn't take one more day of grey misty rainy rain, the sun came out.

did I just jinx it? I bet I did.

(more blue self portraits here)

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25 February 2008

sweet like sugar



the 365 project, she is finished. let me tell you, I am really missing it. not that I need a reason to take photographs on the daily. um, maybe I do. this project had me lugging my camera with me absolutely everywhere I went, every single day until it became as much a part of me as my own two eyes. attached itself to the fabric of my day in ways I am now unable (and unwilling) to undo. which was sort of the point, I guess. that and all that comes with the process of self-documentation. plus, I just really wanted to see if I could do it.

I couldn't have asked for a more interesting year to document. cross country travels and a move to a brand new city in a brand new part of the country. inevitably, some days were easier than others. some days found me shooting everything in sight while others seemed to have nothing to offer. early on in the process, certain questions emerged: was it about the best photograph of the day? or the photograph that best documented what happened on that particular day? I refused to define this aspect of the project and so it vacillated somewhere in between. sometimes I favored the quieter, more unexpected shots over the ones that screamed the major events of the day. okay, and sometimes I didn't. which is what made the project more like something I couldn't wait to get to everyday and less like the tedious chore I thought it might turn out to be. I couldn't wait to see what story the day would end up telling, even if it was just about little red tomatoes spilling out over the counter.

it's a fascinating thing, looking at my year from beginning to end. more so to see how I changed as a photographer. what subjects, what angles I favored, what came easy, what didn't. one year later and I am as hungry as I was in the beginning. simply put, I want more. I want to know more, see more, do more. and this I know for sure: I work best when there's a specific task at hand. but then, I have always known this. I am a girl who needs an assignment.

and so now I am a girl without an assignment. and I'm feeling a little lost, slightly unnerved. since the end of january, I have been scrawling out the possibilities of new projects on tiny scraps of paper. I'm anxious to get started, I'm feeling ridiculously ansy. oh, the end is sweet and all, but the beginning of a new project is where I want to be. nothing tastes sweeter than the beginning of the beginning.

(my entire 365 set is here)

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15 February 2008

photobooth friday



hey world, I still like you. I'm feeling better about you today.

hey people, thank you. all those kind comments you've been leaving have really softened things. you are my people and I like you too.

but you-- you I like. I more than like you, I like like you. and not just because you made things all better yesterday. although, I will say that leaving bright yellow flowers on the nightstand (right next to the bed so that they'd be the first thing I'd see the moment I woke up) was an ace move. impossible to maintain that 'I-hate-the-world' hangover when you wake up to an eyeful of the most ridiculously optimistic color of yellow ever. and very clever how you stuck them in the zippered pocket of that vintage suitcase. which I absolutely love, by the way. have I told you how much I love that thing? I am going on a little trip just so I can break in my new (old) suitcase with all the pink and orange flowers on it. hey, you should teach a little workshop for husbands. just a saturday afternoon deal, nothing too formal. I'm just saying. yes, you I like.

hey, lookie:

barb's fantastically thorough post on photobooths-- holy smokes, that there is some stellar linkage. thank ye kindly, barb.

splendid examples of february's challenge (text in the photobooth), clickityclick: jek, assignme, fowlhead, asapeka, animeoncesaid, koreana, lesophie and lucyjan. nice work, friends.

and there's more (always more) in the PBF flickr group. I know you probably already know that, but I still have to say it. it's what I do.

also: thank you, joy. the above signage came from you, do you remember? I love that thing so stinking much.

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14 February 2008

I hope



little bit of heartbreak this morning, only to be followed by a couple doses of it this afternoon. on today, of all days. I forgot how mean and pinched up in the face the world can be. hoping tonight will be different.

11 February 2008

oh okay

a couple months ago, ava brought home an 'all about me' poster from school. she spent the entire afternoon filling in blanks, answering questions, drawing a self-portrait. an hour into it, I peeked over her shoulder. in the space designated 'what I want to be when I grow up', she'd written 'plain servant'. oh wow, I thought. plain servant. what a heartbreakingly humble aspiration. what a thing of greatness. she wants to serve others. and she doesn't want to be fancy about it. this is Christ-like, I thought. this is special, this is deep. this is what I want to be too. naturally, I had to know more. which is when I found out that she really meant plane servant. as in airplane. I want to help people on an airplane, she said. oh, you mean like a flight attendant? yes, she nodded enthusiastically.

which is totally okay too. totally.

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